If you would like to write better than everybody else, you have to want to write better than everybody else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen - editors, agents and publishers - whose sights may be different from yours, whose standards not so high.
Clutter is the official language used by corporations to hide their mistakes.
You must find some way to elevate your act of writing into an entertainment. Usually this means giving the reader an enjoyable surprise. Any number of devices will do the job.... These seeming amusements in fact become your 'style.' When we say we like the style of certain writers, what we mean is that we like their personality as they express it on paper.
To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.
Nobody becomes Tom Wolfe overnight, not even Tom Wolfe.
Thought is action in rehearsal.
Writers are the custodians of memory, and that's what this chapter is about: how to leave some kind of record of your life and of the family you were born into.
Rewriting is the essence of writing well - where the game is won or lost.
No one has something original or important to say will willing we run the risk of being misunderstood; people who write obscurely are either unskilled in writing or up to mischief
Writing is hard work.
A writer is always working.
Memoir is the art of inventing the truth.
I have no interest in teaching writers how to sell. I want to teach them how to write. If the process is sound, the product will take care of itself, and sales are likely to follow.
Good writing is lean and confident.
Don't hedge your prose with little timidities. Good writing is lean and confident. . . . Every little qualifier whittles away some fraction of the reader's trust. Readers want a writer who believes in himself and in what he is saying. Don't diminish that belief. Don't be kind of bold. Be bold.
Even a poor translator couldn't kill a style that moves with such narrative clarity.
All writing is ultimately a question of solving a problem.
If you lose the dullards back in the dust, that's where they belong. You don't want them anyway.
Nobody ever stopped reading E. B. White or V. S. Pritchett because the writing was too good.
Writers can write to affirm and to celebrate, or they can write to debunk and destroy; the choice is ours.
Never hesitate to imitate another writer. Imitation is part of the creative process for anyone learning an art or a craft. Bach and Picasso didn't spring full-blown as Bach or Picasso; they needed models. This is especially true of writing.
Good writing has an aliveness that keeps the reader reading from one paragraph to the next, and it's not a question of gimmicks to "personalize" the author.
If a good word already exists, there is no need to invent something painful.
Writing wasn't easy and wasn't fun. It was hard and lonely, and the words seldom just flowed.
Memoir isn't the summary of a life; it's a window into a life, very much like a photograph in its selective composition. It may look like a casual and even random calling up of bygone events. It's not; it's a deliberate construction.
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