I knew that if I wrote a new book every six months or every year, if I continued to read great books, eventually I would write something worthy of publication. I understood I might be in my forties or my fifties or even my sixties, but I felt confident that it would happen.
But then, look at me. My brain is incorrectly formed, and I'm shaped like a tube. Plus, I'm an alcoholic, a "survivor" of childhood sexual abuse, was raised in a cult and have no education. So, really, if you think about it, the only thing that separates me from the guy with the stinky foot and no teeth is a book deal and some cologne.
A lot of being a writer doesn't have anything to do with writing. It's ironic - I have to squeeze the books in, even though that's what it's all about.
It's weird - sort of not terribly wise - to take a book that was successful and then change its cover.
I love to both give and receive very old books.
I feel like they are two different things, and when I write books, they're just books. If they can be movies that's okay. But I would write a novel that couldn't be a film.
The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.
I read a lot of science books - I love cosmology, quantum theory, particle physics. So my idea of a great read would probably put you directly into a coma.
When I first thought of being a writer I had visions of stacks of books in stores with my name on them, that sort of thing. But I never imagined this would be the reaction.
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