Today, each artist must undertake to invent himself, a lifelong act of creation that constitutes the essential content of the artist's work.
Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
The current demoralization of the art world is attributable at least in part to museum interference, ideological and practical, with ongoing creation in art.
How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.
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