Maggie O'Farrell Quotes About Writing

Quotes about: Writing

• For a while I used to listen to those whispers about babies costing you books, and Cyril Connolly's loathsome quote that "There is no more somber enemy of good art than the pram in the hall." But it's rubbish. Absolute rubbish. A huge amount of your work is done when you're not at your desk. Knotty problems that you need your unconscious to solve. So it can be helpful to walk away and focus on other things and it can be helpful to be a bit harassed in your daily life, to be hungry for time to write.

  Maggie O'Farrell

  Baby, Art, Book

  Source: www.guernicamag.com

• Despite being from Ireland, I've always avoided writing about it, for two reasons. For a very small country, Ireland has produced an astonishing number of literary geniuses, and at some level I probably never felt, having left as a toddler, that I had the right to try and add my voice. That's part of it. But I also didn't want to write something that was the equivalent of the Irish theme pub. You find them all over the world. The idea of producing a novel that might replicate that type of ersatz really set my teeth on edge.

  Maggie O'Farrell

  Country, Writing, Trying

  Source: www.guernicamag.com

• I don't want to be influenced as to what I write in the next book, to hear those voices in my head when I'm writing. The idea of second-guessing your reader is dangerous, trying to please some notional reader looking over your shoulder, instead of just yourself.

  Maggie O'Farrell

  Book, Writing, Over You

  Source: www.guernicamag.com

• As you'll know yourself, there are these moments when you're writing a book when one remark or moment will pull everything together and you'll think, "That's it. I've got what I need."

  Maggie O'Farrell

  Book, Writing, Thinking

  Source: www.guernicamag.com

• Always, at the end of every book, there are things you will be unsatisfied with, and still more things that later on you will realize were not right. But mistakes are part of what a book is. That itchy, dissatisfied feeling at the end of a novel is useful. It's what keeps you writing and gets you writing the next one. It's what keeps you learning.

  Maggie O'Farrell

  Mistake, Book, Writing

  Source: www.guernicamag.com

• While I was writing the book, one of my children was diagnosed with dyslexia. Dyslexia is a very tiny word for a wide-ranging neurological condition that affects different people in different ways. But I was reading an awful lot about it, to try and find ways of helping my child. I think a lot of fiction comes from this desire to confront unanswerable questions, and it's heartbreaking to see your child, a bright child, struggling so much with something that others are finding so easy. It's such an assault to the child's self-esteem and, as a mother, it's hard to watch.

  Maggie O'Farrell

  Mother, Children, Struggle

  Source: www.guernicamag.com

• You learn so much with each book, but it's what you teach yourself by writing your own books and by reading good books written by other people - that's the key. You don't want to worry too much about other people's responses to your work, not during the writing and not after. You just need to read and write, and keep going.

  Maggie O'Farrell

  Reading, Book, Writing

  Source: www.guernicamag.com

• I always had the urge to write. Not in the sense of wanting to be a writer, but just writing things down, getting words on a page. Graphomania, it's called. I've always had a definite love of stationary products - I used to spend all my pocket-money on pens and notepads. I still do, in a way.

  Maggie O'Farrell

  Writing, Pens

  Source: www.guernicamag.com

• In the course of writing a book I'll produce loads of pieces of paper to help the novel itself. Diagrams, charts, family trees. And at the end of each book I'll pack it all away. It takes me a while to do it - it's like a relationship that way; there's a period of letting - go, of grief, in a way - but then I box it up, label it, and put it in the attic.

  Maggie O'Farrell

  Grief, Book, Writing

  Source: www.guernicamag.com

• Something that had an enormous influence over my relationship with language was my stammer. I had a really bad stammer in my childhood and adolescence, and that imbues you with two things. First, a hyper-sensitivity to grammar, because a stammerer will have problematic sounds, impossible verbal stumbling blocks. Second, writing is just such a joy when you have a problem with speaking. It's so astonishing to watch language coming out of your pen without any hesitation or dysfluency.

  Maggie O'Farrell

  Block, Writing, Childhood

  Source: www.guernicamag.com

• I try not to be too precious about my writing, and I try to be willing to walk away from it for a few hours when something's not working, to let things percolate a bit. I try not to hide myself away from life too much, because I think that's a risky thing for a writer to do.

  Maggie O'Farrell

  Writing, Thinking, Trying

  Source: www.guernicamag.com

• The key thing in my becoming a writer was going on a Arvon Foundation residential writing course. I took with me a really messy twenty thousand words of something that later became After You'd Gone, my first novel. My tutors were Barbara Trapido and Elspeth Barker.

  Maggie O'Farrell

  Writing, Messy, Novel

  Source: www.guernicamag.com

• I think it's dangerous to have lots of time on your hands as a writer. Time to pursue every little alleyway, to follow every single whim. I feel I've done my best writing when I'm stretched for time, when you're most pressured.

  Maggie O'Farrell

  Writing, Thinking, Done

  Source: www.guernicamag.com

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