How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.
There are two ways to slice easily thorugh life; to believe everything or to doubt everything. Both ways save us from thinking.
How many slams in an old screen door? Depends how loud you shut it. How many slices in a bread? Depends how thin you cut it. How much good inside a day? Depends how good you live 'em. How much love inside a friend? Depends how much you give 'em.” ― How Many, How Much by Shel Silverstein “Tell the truth, or someone will tell it for you.
I am not interested in slice of life, what I want is a slice of the imagination.
A picture can express a universal humanism, or simply reveal a delicate and poignant truth by exposing a slice of life that might otherwise pass unnoticed.
For me, the cinema is not a slice of life, but a piece of cake.
I paint a slice of life, whatever it is that day.
If it's strictly comedy, I like to bring some darkness to it. If it's strictly drama, I always like to lighten it up as well. I like to find some kind of dimension and make my characters human, so that it doesn't feel like a sketch and feels more like a slice of life.
I don't *ever* write about real people. Art is supposed to be better than that. If you want a slice of life, look out the window.
I loved to press the shutter, to freeze time, to turn little slices of life into rectangle rife with metaphor.
A lot of the commercials that I was doing were very slice-of-life, emotional, documentary-style, not big and cinematic and ultimately like the kind of movie I wanted to make.
You have this mounting aggressive ignorance with the rabbit's foot of their particular religion. You don't really have any kind of spiritual law, just a kind of a rabid mental illness. The songs are a little slice of life.
For a while, the gay thing seemed like such a big deal. But now, I don't think it is. It's just a comedy-drama about people who live in the United States. It's a slice-of-life. I play a character-that's it. But I was well aware of the gay lifestyle before the show. I've been hit on in a really strong way by gay men who've tried to convert me, and a lot of my heroes are gay. William Burroughs, Lou Reed. Well, I guess Lou Reed is bi. The point is, it's 2002, gay life is no longer that shocking.
I play- it's kind of like a slice-of-life, LA women in their forties, playing forty kind of what's their friendship like, and what's their life like and so I just play one of the four friends.
Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country.
Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark . . . I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.
Every novel presents a slice of life. A noir policier for example presents one slice, one that perhaps addresses social dysfunction or some sort of pathology, while mine present a slice that is more upbeat and affirmative.
It's not just that reporting gives you a bigger slice of life, gives - lends verisimilitude to what you are doing - it's that it feeds the imagination.
I can simply say that I feel spontaneously attracted by everything that is beautiful... It comes from the unconscious and not from my knowledge... Whatever is purely realistic, slice of life, which is average, quotidian, doesn't interest me... I am fascinated by what is beautiful, strong, healthy, what is living. I seek harmony.
I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realising all the time that this is not a slice of life, this is openly a film.
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