[The daguerreotype] itself must undoubtedly be regarded as the most important, and perhaps the most extraordinary triumph of modern science.
...the daguerreotype is not merely an instrument which serves to draw Nature; on the contrary it is a chemical and physical process which gives her the power to reproduce herself.
An electric chain seems to vibrate, as it were, between our brain and him or her preserved there [in a Daguerreotype] so well by the limner's cunning. Time, space, both are annihilated, and we identify the semblance with the reality.
A good daguerreotype was as perfect a kind of photograph as was ever made.
Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.
With the daguerreotype, everyone will be able to have their portrait taken . . . and at the same time everything is being done to make us all look exactly the same.
DAGUERREOTYPE Will take the place of painting. (See PHOTOGRAPHY.) (From The Dictionary of Received Ideas, assembled from notes Flaubert made in the 1870s.)
Legitimately produced, and truly inspired, fiction interprets humanity, informs the understanding, and quickens the affections. It reflects ourselves, warns us against prevailing social follies, adds rich specimens to our cabinets of character, dramatizes life for the unimaginative, daguerreotypes it for the unobservant, multiplies experience for the isolated or inactive, and cheers age, retirement and invalidism with an available and harmless solace.
Aberjhani's writing blows the mind and frees the psyche of any rigid assumptions about ancestral heritage. Here, our collective experience is starkly rendered. The transparency of one culture overlays another, and another, to form the daguerreotype of possibilities that is homo sapiens, interacting, almost like the elements themselves, with the created world and modified only by context and its imperatives.
... Amongst all the mechanical poison that this terrible nineteenth century has poured upon men, it has given us at any rate one antidote - the Daguerreotype. (1845)
I know people who have a much better recollection of their childhood than I do. They remember very well when they were a year and a half and two years old. I've only one or two daguerreotypes that come to mind.
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